by Jenny Macmillan
Ability Development, Summer 1999
As a Suzuki teacher and parent I have spent a great deal of time listening to recordings of the Suzuki piano repertoire. As a result I am aware that renderings by different performers vary considerably. I therefore decided that I would listen systematically to the three recordings available from the BSI and have drawn up a table comparing and contrasting them. Inevitably my opinions are highly subjective, and I would encourage anyone to listen to the recordings for themselves and reach their own conclusions.
Kataoka | Aide | Lloyd-Watts | |
Tone Quality | Harsh, forced RH. | Pleasant tone. | Shallow tone, especially in book 2. |
Dynamics | Good; nice echoes. | No echoes or dynamic contrasts until near end of book 2. | Almost no echoes or dynamic contrasts. |
Phrasing | Phrases weakly shaped. Monotonous repeated notes in Allegretto 2. | Gently shaped phrases. Sensitive ends of phrases in book 2. Repeated notes lack variety in Allegretto 2. | Good phrasing. No variety in tone of repeated notes in Allegretto 2. |
Balance between hands | Mostly good. Well-blended LH broken chords. Happy Farmer: RH accompaniment too strong. | Accompaniment clearly audible - useful for studying LH. However sometimes a little too strong, eg Short Story, Happy Farmer. | Good. |
Legato between repeated notes | Ranging from fairly good to very good. | Good but not excellent. Minuet 1: RH bar 1 poor legato. | Very poor in book 1, poor in book 2. |
Speeds | Mostly good, but Ecossaise too slow and Variations and Minuet 2 rather fast. | Mostly good if on the fast side, but some, especially early book 2, too fast, including Variations, Christmas Day Secrets, Short Story and Minuet 2. | Mostly good if on the slow side, but some too slow, eg Variations, Allegretto 1, Allegro and Ecossaise. |
Musical endings to pieces | Slight slowing down at ends of pieces. | Slight slowing down at ends of pieces in book 1. Good variety of ritardandi in book 2. | Abrupt endings to pieces in book 1. Only slight ritardandi in book 2. |
Rhythm | Tendency to play almost semiquaver-dotted quaver instead of two equal quavers in Allegro, all Bach Minuets and Arietta. Happy Farmer: LH first quaver too long. Beethoven 1st movement: grace notes too loud. | Accurate. Beethoven 1st movement: acciaccatura played before beat instead of on beat. | Accurate. Beethoven 1st movement: acciaccatura played before beat instead of on beat. |
Articulation | Christmas Day Secrets: RH first quaver played staccato instead of given its full length. Beethoven 1st movement: slurs not articulated. | Christmas Day Secrets: RH bar 4 last note not played staccato. Inventive articulation in Bach and Mozart Minuets - inappropriate in this context? | Short Story: RH 3rds not played staccato followed by 6ths not legato. |
Rests | Rests omitted in Honeybee, Clair de Lune, Cradle Song and Melody. Previous note held too long in Long Long Ago, Minuet 1 and Beethoven 2nd movement. Incorrect final bar in Happy Farmer. | Most rests accurate but previous note held slightly too long in Honeybee, G minor Minuet 1 and Cradle Song. | Rests reasonably accurate but previous note held too long in Clair de Lune, Minuet 1 and G minor Minuet 1. Inaccurate rests in final bar of Long Long Ago, Happy Farmer and Melody. |
Note accuracy | Good. | Good. | Clair de Lune: two incorrect LH notes. |
Recording quality | Good. | Good. Very clear - every note audible. | Good. |
Twinkle variations | RH fast and light with LH accompaniment. Variations 1-3 all about the same speed but too fast at MM82; Variation 2 no dynamic contrast; Twinkle theme even faster at MM86 but good legato between repeated notes. | RH only. Generally too fast, but speed varies for each variation - Variation 1: MM80; Variation 2: MM72, some dynamic contrast; Variation 3: MM76; Twinkle theme much too fast at MM92, fairly good legato between repeated notes. | RH and LH two octaves apart. Variations 1-3 slow and ponderous at MM66; Variation 2: no dynamic contrast; Twinkle theme: too fast at MM88, no legato between repeated notes. |
Summary of good points | Good dynamics; good balance between hands; good legato between repeated notes; mostly good speeds. | Good tone quality; sensitive phrasing; musical endings; mostly good speeds if on the fast side; clear recording quality. | Good phrasing; good balance between hands; mostly good speeds if on the slow side. |
Summary of bad points | Harsh, forced tone; weakly shaped phrases; disturbing uneven quaver rhythm in places; many rests omitted or inaccurate. | No dynamic contrasts within pieces; some accompaniments quite strong; some pieces too fast, especially at beginning of book 2; inappropriate articulation in Bach and Mozart. | Shallow tone, especially in book 2; little dynamic contrast; very poor legato between repeated notes; some pieces too slow; abrupt endings; rests not always accurate; incorrect LH notes in Clair de Lune. |